Two Years Too Late- Omkara

I’m in Bangalore for some days now and pass the evening watching the same movie again and again (having only this one here with me). So I thought about writing something on it, thought it could be a good time passing exercise.

Btw, had watched this movie with IIMA gang in Ahmedabad in the first week of its release. Then, I had wanted some time for myself- a couple of months- so didn't try to keep pace with some expectations. Win some! Lose some! Save two months and lose two years. Nothing seemed to have moved for most people in these two years.

This is not a review here, don't want to be critically reviewed for the same; just that it reminds of some school time friends so I like the movie.

‘Omkara’ is based on the drama ‘Othello’ by Shakespeare. But even if it is- there would rarely be another movie which has captured the beliefs, culture and ethos- of a small area in rural North India- as closely as this one. Excessive use of foul words in the movie might be unacceptable to some; but still, somewhere that is the way of life.

The story begins on the wedding day of the daughter of a reputed lawyer. The ‘bride to be’ elopes with the lead muscleman (Ajay Devgan playing Omkara) of a local gang.

Kareena plays the role of Dolly, the young lady from the small town that sees the man of her dreams in a local don who is brave, daring and destined to rise in power. While her engagement is being imposed upon her she narrates her condition in a love letter to her braveheart

‘Is janam mein to tumhari himmat hogi nahin bas……
so hum hi keh dete hain …………….

Apne katlon ki list mein hamara naam bhi jod lena’; complaining his caring less for her plight.

If anyone could still be restrained- Omkara is not him, and so they elope on day of Dolly's marriage.

The dejected father of the girl warns the don about the age old- ‘Triya charitra’ of women. Here, one who could cheat her father would not hesitate to betray any other man (Omkara).

Saif Ali Khan (named langda Tyagi in the movie) plays the Second-in-Command and the sharp shooter of the Omkara Gang. The position of 'Bahubali' or the head of the group gets vacated as Omkara is selected to stand in the Assembly elections. While for most it is a foregone conclusion that the ever trusted and most deserving Langda tyagi will be the ‘Bahubali’, the coronation ceremony raises a surprise. Omkara crowns a college going novice and half tried ‘Keshu Firangi’ as his successor.

The selection proves to be the turning point of the movie.

Omkara, without his knowledge, has unleashed his most potent weapon, his silent deputy Langda Tyagi, against himself. This, still, is not a war between two ‘Alpha Males’ for superiority. This is a case of blind confidence on one side and of raging hatred on the other- henceforth.

Both Omkara and Keshu play to the guile of Langda hereafter. It takes little time for Tyagi to toy with the weaknesses of Keshu Firangi and make it amply clear to Omkara how raw Keshu was to handle the role of the ‘bahubali’, the broken dream of langda tyagi. He doesn’t stop there and starts poisoning the mind of Omkara regarding the possible relations between Dolly and Keshu.

And amidst this there is innocent Dolly with her one point agenda to impress her man Omkara through her cooking skills or by learning guitar. She has no clues why she is losing Omkara every passing day.

Like any alpha male, Omkara’s insecurity is driven by his belief that he is being considered second to another man, by a woman whom he loves and is planning to marry. This he would not accept or rather would destruct the world if such a world exists.

As langda creates new wedges between Omkara and Dolly, her innocence and charm wins Omkara’s heart back in some instances but for how long could it continue?

The innocently greedy act of Konaka Sen, playing the wife of Langda Tyagi, of stealing a waistband of Dolly acts as the catalyst for langda to cast his plot. Whether in epics or in Omkara, innocent mistakes of women often draw gory battlefields for men.

The divine beauty of Dolly ceases to be sacred for Omkara as his distrust grows. For adrenalin driven male, there is a very fine line- that separates life staking escapades taking a girl amidst her wedding ceremonies and taking life of one’s beloved on the wedding night, if that line is erased.

Omkara moves towards its end with Konkana Sen admitting her act of stealing the waistband. But till then Dolly is dead, murdered by her suspecting husband on her wedding night and destiny of a lot of people has already been written. The story ends with two lead actors and the lead actresses lying dead amidst Machiavellian tricks of langda and fiery temperamental actions of Omkara.

Omkara is a tragic love story of a few brave but insecure males; and the women around their lives. The regional traditions and the ceremonies complete the plot with perfect execution and the photography in the local terrain shows that beautiful films can also be filmed in Indian villages.

The film established Saif Ali Khan in the top league of actors and won many awards and possibly a heart for him. It also separated the men from boys and Vivek Oberoy ended losing despite flexing his muscles as the Bahubali.

The mystic in Gulzaar is back in ‘Nainon ki mat suniyo, naina thag lenge’. The soft and melodious ‘O saathi re, din doobe naa’ reminds of early 70’s while ‘Omkara', 'Bidi Jalai le', 'Jubaan pe laaga' are full of excitement of the 2000’s. There are a few folk songs; those are as good to watch or to listen.

Amongst the female actors, Kareena looks so beautiful that it is difficult to decide if she is acting well or not, Konkana definitely acts wells while Bipasha performs dance steps in quick sequence in her attempt to appear like dancing and does not have much role to play.

Vivek Oberoy disappoints by his role- should have put more fire in it, Ajay Devgun keeps up to his reputation and Saif Ali Khan puts the screen on fire, every time he appears on the screen.

Vishal Bharadwaj has created a master piece.